It used to be an enormous task in the Unreal material system. No more manual work with the shader assignment. It does the same with the skeleton system. It automatically assigns digital human shaders to the linked characters. The most difficult part became the easiest with the help of the “Character Creator & the iClone Auto Setup Plug-in”, which work in conjunction with Live Link Plug-in. Super awesome work for your first scene! It feels very polished in the major ways, just needs a little clean up in cinematic language to bring it up to pro-level.Advantages of working on Live Link Plug-in
Cuts between different camera angles on the same character should come mostly between reaction shots of the other character, use this as a soft-rule to help with that action/reaction stuff. Use actor movement to close the gap between the characters to show trust, have them move away or behind props to show distrust. Is the person in the room telling the truth, are they friend or foe? It's hard to tell without more action/reaction to the dialog. Use this as a soft-rule to put emphasis on emotional moments in the dialog, show speaker and listener reactions to what is being said to convey more about the characters motivation in the scene. I'll also add that there should be a camera cut or big movement every 10 seconds or so.
This is especially effective in games to convey return of control to the player, and going back to the 3rd person camera. You can cross over the line in a movement of the camera, not a cut. You could hard break it once in a short scene like this to convey disorientation, but more than that makes the scene ripe for the quick skip button. Excellent callout here on the 180 rule when this rule gets broken it's very jarring to the viewer and feels unfinished.
0 kommentar(er)
